ज्ञानार्णव-तन्त्रम्
jñānārṇava-tantram
-
chapter-15
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शृणु देवि प्रवक्ष्यामि नित्यामण्डलमुत्तमम् ।
कामेश्वरी महाविद्या सर्वलोकवशंकरी ॥१॥
कामेश्वरी महाविद्या सर्वलोकवशंकरी ॥१॥
1. śṛṇu devi pravakṣyāmi nityāmaṇḍalamuttamam ,
kāmeśvarī mahāvidyā sarvalokavaśaṁkarī.
kāmeśvarī mahāvidyā sarvalokavaśaṁkarī.
1.
śṛṇu devi pravakṣyāmi nityā-maṇḍalam uttamam
kāmeśvarī mahāvidyā sarva-loka-vaśaṅkarī
kāmeśvarī mahāvidyā sarva-loka-vaśaṅkarī
1.
devi,
śṛṇu,
uttamam nityā-maṇḍalam pravakṣyāmi,
(yā) kāmeśvarī mahāvidyā sarva-loka-vaśaṅkarī (asti)
śṛṇu,
uttamam nityā-maṇḍalam pravakṣyāmi,
(yā) kāmeśvarī mahāvidyā sarva-loka-vaśaṅkarī (asti)
1. O Devi, listen, I will declare the supreme circle of nityā deities, which is the great knowledge (mahāvidyā) of Kāmeśvarī, subduing all worlds.
बालां तारं च हृत्प्रान्ते कामेश्वरिपदं लिखेत् ।
इच्छाकामफलप्रान्ते प्रदेसर्वपदं लिखेत् ॥२॥
इच्छाकामफलप्रान्ते प्रदेसर्वपदं लिखेत् ॥२॥
2. bālāṁ tāraṁ ca hṛtprānte kāmeśvaripadaṁ likhet ,
icchākāmaphalaprānte pradesarvapadaṁ likhet.
icchākāmaphalaprānte pradesarvapadaṁ likhet.
2.
bālāṃ tāraṃ ca hṛdprānte kāmeśvaripadaṃ likhet
icchākāmaphalaprānte pradesarvapadaṃ likhet
icchākāmaphalaprānte pradesarvapadaṃ likhet
2.
hṛdprānte bālāṃ tāraṃ ca kāmeśvaripadaṃ likhet,
icchākāmaphalaprānte pradesarvapadaṃ likhet
icchākāmaphalaprānte pradesarvapadaṃ likhet
2. O daughter of the mountain, write bālā and tāra at the edge of the heart, write the word kāmeśvari, and at the end of the fruit of desire, write the word prade-sarva.
ततः सत्त्ववशं ब्रूयात्करिसर्वजगत्पदम् ।
क्षोभणान्ते करि ब्रूयाद्धुंकारत्रितयं लिखेत् ॥३॥
क्षोभणान्ते करि ब्रूयाद्धुंकारत्रितयं लिखेत् ॥३॥
3. tataḥ sattvavaśaṁ brūyātkarisarvajagatpadam ,
kṣobhaṇānte kari brūyāddhuṁkāratritayaṁ likhet.
kṣobhaṇānte kari brūyāddhuṁkāratritayaṁ likhet.
3.
tataḥ sattvavaśaṃ brūyātkarisarvajagatpadam
kṣobhaṇānante kari brūyāddhuṃkāratritayaṃ likhet
kṣobhaṇānante kari brūyāddhuṃkāratritayaṃ likhet
3.
tataḥ sattvavaśaṃ brūyāt,
karisarvajagatpadam,
kṣobhaṇān ante kari brūyāt,
huṃkāratritayaṃ likhet
karisarvajagatpadam,
kṣobhaṇān ante kari brūyāt,
huṃkāratritayaṃ likhet
3. Then one should utter sattvavaśa and the phrase kari-sarva-jagat. At the end of kṣobhaṇa, one should utter kari, and write the threefold huṃkāra.
पञ्च बाणान्समालिख्य संहारेण कुमारिकाम् ।
एषा कामेश्वरी नित्या प्रसङ्गात्कथिताऽद्रिजे ॥४॥
एषा कामेश्वरी नित्या प्रसङ्गात्कथिताऽद्रिजे ॥४॥
4. pañca bāṇānsamālikhya saṁhāreṇa kumārikām ,
eṣā kāmeśvarī nityā prasaṅgātkathitā'drije.
eṣā kāmeśvarī nityā prasaṅgātkathitā'drije.
4.
pañca bāṇān samālikhya saṃhāreṇa kumārikām
eṣā kāmeśvarī nityā prasaṅgāt kathitā adrije
eṣā kāmeśvarī nityā prasaṅgāt kathitā adrije
4.
adrije,
pañca bāṇān samālikhya,
saṃhāreṇa kumārikām,
eṣā nityā kāmeśvarī prasaṅgāt kathitā
pañca bāṇān samālikhya,
saṃhāreṇa kumārikām,
eṣā nityā kāmeśvarī prasaṅgāt kathitā
4. O daughter of the mountain, having inscribed the five arrows along with the dissolution of the maiden, this Nitya goddess Kāmeśvarī has been described here in context.
वाग्भवं भगशब्दान्ते भुगे भगिनि चाऽऽलिखेत् ।
भगोदरीति वर्णान्ते1 च भगमाले भगावहे ॥५॥
भगोदरीति वर्णान्ते1 च भगमाले भगावहे ॥५॥
5. vāgbhavaṁ bhagaśabdānte bhuge bhagini cā''likhet ,
bhagodarīti varṇānte1 ca bhagamāle bhagāvahe.
bhagodarīti varṇānte1 ca bhagamāle bhagāvahe.
5.
vāgbhavaṃ bhagaśabdānte bhuge bhagini ca ālikhet
bhagodarī iti varṇānte ca bhagamāle bhagāvaha
bhagodarī iti varṇānte ca bhagamāle bhagāvaha
5.
vāgbhavaṃ bhagaśabdānte bhuge bhagini ca ālikhet
bhagodarī iti varṇānte ca bhagamāle bhagāvahe
bhagodarī iti varṇānte ca bhagamāle bhagāvahe
5. One should write vāgbhava, then at the end of the word bhaga, bhuge, bhagini, and also bhagodarī at the end of the letters, and also bhagamāle and bhagāvahe.
भगगुह्ये भगप्रान्ते योनिप्रान्ते भगान्तिके ।
निपातिनि च सर्वान्ते ततो भगवशंकरि ॥६॥
निपातिनि च सर्वान्ते ततो भगवशंकरि ॥६॥
6. bhagaguhye bhagaprānte yoniprānte bhagāntike ,
nipātini ca sarvānte tato bhagavaśaṁkari.
nipātini ca sarvānte tato bhagavaśaṁkari.
6.
bhagaguhye bhagaprānte yoniprānte bhagāntike
nipātini ca sarvānte tataḥ bhagavaśaṅkari
nipātini ca sarvānte tataḥ bhagavaśaṅkari
6.
bhagaguhye bhagaprānte yoniprānte bhagāntike
nipātini ca sarvānte tataḥ bhagavaśaṅkari
nipātini ca sarvānte tataḥ bhagavaśaṅkari
6. At the secret part of bhaga, at the end of bhaga, at the end of yoni, near bhaga, at nipātini, and at the very end, thereafter (write) O bhagavaśaṅkari.
भगरूपे ततो लेख्यं नीरजायतलोचने ।
नित्यक्लिन्ने भगप्रान्ते स्वरूपे सर्व चाऽऽलिखेत् ॥७॥
नित्यक्लिन्ने भगप्रान्ते स्वरूपे सर्व चाऽऽलिखेत् ॥७॥
7. bhagarūpe tato lekhyaṁ nīrajāyatalocane ,
nityaklinne bhagaprānte svarūpe sarva cā''likhet.
nityaklinne bhagaprānte svarūpe sarva cā''likhet.
7.
bhagarūpe tataḥ lekhyam nīrajāyatalocane
nityaklinne bhagaprānte svarūpe sarva ca ālikhet
nityaklinne bhagaprānte svarūpe sarva ca ālikhet
7.
tataḥ bhagarūpe nīrajāyatalocane nityaklinne
bhagaprānte svarūpe sarva ca lekhyam ālikhet
bhagaprānte svarūpe sarva ca lekhyam ālikhet
7. Thereafter, O you with eyes like a blue lotus, O nityaklinne, one should write everything in the form of bhaga at the edge of bhaga and in its true form.
भगानि मे ह्यानयेति वरदेति समालिखेत् ।
रेत सुरेते भग च क्लिन्ने क्लिन्नद्रवे ततः ॥८॥
रेत सुरेते भग च क्लिन्ने क्लिन्नद्रवे ततः ॥८॥
8. bhagāni me hyānayeti varadeti samālikhet ,
reta surete bhaga ca klinne klinnadrave tataḥ.
reta surete bhaga ca klinne klinnadrave tataḥ.
8.
bhagāni me hi ānaya iti varade iti samālikhet
reta surete bhaga ca klinne klinnadrave tataḥ
reta surete bhaga ca klinne klinnadrave tataḥ
8.
varade iti bhagāni me hi ānaya iti samālikhet
reta surete bhaga ca klinne klinnadrave tataḥ
reta surete bhaga ca klinne klinnadrave tataḥ
8. O grantor of boons, write down the phrases: Bring my fortunes here; O moist and moisture-dripping yoni, O potent yoni, arouse desire.
क्लेदय द्रावयाथो च सर्वसत्त्वान्भगेश्वरि ।
अमोघे भगविच्चे च क्षुभ क्षोभय सर्व च ॥९॥
अमोघे भगविच्चे च क्षुभ क्षोभय सर्व च ॥९॥
9. kledaya drāvayātho ca sarvasattvānbhageśvari ,
amoghe bhagavicce ca kṣubha kṣobhaya sarva ca.
amoghe bhagavicce ca kṣubha kṣobhaya sarva ca.
9.
kledaya drāvayātha ca sarvasattvān bhageśvari
amoghe bhagavicce ca kṣubha kṣobhaya sarva ca
amoghe bhagavicce ca kṣubha kṣobhaya sarva ca
9.
bhageśvari sarvasattvān kledaya drāvaya ca
amoghe bhagavicce sarva ca kṣubha kṣobhaya ca
amoghe bhagavicce sarva ca kṣubha kṣobhaya ca
9. O mistress of bhaga, moisten and melt all beings, O infallible one, O mistress of bhagavicca, agitate and cause agitation in everything.
सत्त्वान्भगेश्वरि ब्रूयाद्वाग्भवं ब्लूंजमादिमम् ।
भेब्लूं भोब्लूं च हेंब्लूं च हें क्लिन्ने च ततः परम् ॥१०॥
भेब्लूं भोब्लूं च हेंब्लूं च हें क्लिन्ने च ततः परम् ॥१०॥
10. sattvānbhageśvari brūyādvāgbhavaṁ blūṁjamādimam ,
bheblūṁ bhoblūṁ ca heṁblūṁ ca heṁ klinne ca tataḥ param.
bheblūṁ bhoblūṁ ca heṁblūṁ ca heṁ klinne ca tataḥ param.
10.
sattvān bhageśvari brūyāt vāgbhavam blūṃ jam ādimam
bheblūṃ bhoblūṃ ca heṃblūṃ ca heṃ klinne ca tataḥ param
bheblūṃ bhoblūṃ ca heṃblūṃ ca heṃ klinne ca tataḥ param
10.
bhageśvari sattvān brūyāt vāgbhavam blūṃ jam ādimam
bheblūṃ bhoblūṃ ca heṃblūṃ ca heṃ klinne ca tataḥ param
bheblūṃ bhoblūṃ ca heṃblūṃ ca heṃ klinne ca tataḥ param
10. O mistress of bhaga, one should speak to the beings the primordial speech seed blūṃ, and then bheblūṃ, bhoblūṃ, heṃblūṃ, heṃ, and klinne thereafter.
सर्वाणि च भगान्यन्ते मे वशं चाऽऽनयेति च ।
स्त्रीबीजं च हर प्रान्ते बलेमात्मकमक्षरम् ॥११॥
स्त्रीबीजं च हर प्रान्ते बलेमात्मकमक्षरम् ॥११॥
11. sarvāṇi ca bhagānyante me vaśaṁ cā''nayeti ca ,
strībījaṁ ca hara prānte balemātmakamakṣaram.
strībījaṁ ca hara prānte balemātmakamakṣaram.
11.
sarvāṇi ca bhagāni ante me vaśaṃ ca ānaya iti ca
strībījaṃ ca hara prānte balemātmakam akṣaram
strībījaṃ ca hara prānte balemātmakam akṣaram
11.
sarvāṇi ca bhagāni ante me vaśaṃ ca ānaya iti ca
strībījaṃ ca hara prānte balemātmakam akṣaram
strībījaṃ ca hara prānte balemātmakam akṣaram
11. Bring all the bhagas to me at the end, saying ānaya, and at the end take the strībīja, which is the imperishable syllable having the nature of bale.
भुवनेशीं समालिख्य विद्येयं भगमालिनी ।
प्रसङ्गात्कथिता पञ्चचत्वारिंशच्छताक्षरी ॥१२॥
प्रसङ्गात्कथिता पञ्चचत्वारिंशच्छताक्षरी ॥१२॥
12. bhuvaneśīṁ samālikhya vidyeyaṁ bhagamālinī ,
prasaṅgātkathitā pañcacatvāriṁśacchatākṣarī.
prasaṅgātkathitā pañcacatvāriṁśacchatākṣarī.
12.
bhuvaneśīṃ samālikhya vidyā iyaṃ bhagamālinī
prasaṅgāt kathitā pañcacatvāriṃśacchatākṣarī
prasaṅgāt kathitā pañcacatvāriṃśacchatākṣarī
12.
bhuvaneśīṃ samālikhya iyaṃ vidyā bhagamālinī
prasaṅgāt kathitā pañcacatvāriṃśacchatākṣarī
prasaṅgāt kathitā pañcacatvāriṃśacchatākṣarī
12. Having written down Bhuvaneśī, this knowledge of Bhagamālinī comprising one hundred and forty-five syllables has been recounted in context.
पराबीजं समुच्चार्य नित्यक्लिन्ने मदद्रवे ।
अग्निजायान्वितो मन्त्रो नित्यक्लिन्नेयमीरिता ॥१३॥
अग्निजायान्वितो मन्त्रो नित्यक्लिन्नेयमीरिता ॥१३॥
13. parābījaṁ samuccārya nityaklinne madadrave ,
agnijāyānvito mantro nityaklinneyamīritā.
agnijāyānvito mantro nityaklinneyamīritā.
13.
parābījaṃ samuccārya nityaklinne madadrave
agnijāyānvito mantro nityaklinneyam īritā
agnijāyānvito mantro nityaklinneyam īritā
13.
parābījaṃ samuccārya nityaklinne madadrave
agnijāyānvitaḥ mantraḥ nityaklinnā iyam īritā
agnijāyānvitaḥ mantraḥ nityaklinnā iyam īritā
13. Having uttered the supreme seed mantra, along with nityaklinne and madadrave, the mantra accompanied by agnijāyā is declared as this nityaklinnā.
सर्वसौभाग्यदात्री च सर्वैश्वर्यप्रदायिनी ।
प्रणवं पूर्वमुच्चार्य तथाऽङ्कुशयुगं लिखेत् ॥१४॥
प्रणवं पूर्वमुच्चार्य तथाऽङ्कुशयुगं लिखेत् ॥१४॥
14. sarvasaubhāgyadātrī ca sarvaiśvaryapradāyinī ,
praṇavaṁ pūrvamuccārya tathā'ṅkuśayugaṁ likhet.
praṇavaṁ pūrvamuccārya tathā'ṅkuśayugaṁ likhet.
14.
sarvasaubhāgyadātrī ca sarvaiśvaryapradāyinī
praṇavaṃ pūrvam uccārya tathā aṅkuśayugaṃ likhet
praṇavaṃ pūrvam uccārya tathā aṅkuśayugaṃ likhet
14.
sarvasaubhāgyadātrī sarvaiśvaryapradāyinī ca
pūrvam praṇavam uccārya tathā aṅkuśayugaṃ likhet
pūrvam praṇavam uccārya tathā aṅkuśayugaṃ likhet
14. She who grants all auspicious fortune and bestows all divine power - having first uttered praṇava (the syllable Oṃ), one should write the pair of aṅkuśa (goad syllables) accordingly.
तन्मध्ये विलिखेद्देवि भरोमात्मकमक्षरम् ।
चवर्गमन्त्यहीनं तु विलिखेद्वह्निसंस्थितम् ॥१५॥
चवर्गमन्त्यहीनं तु विलिखेद्वह्निसंस्थितम् ॥१५॥
15. tanmadhye vilikheddevi bharomātmakamakṣaram ,
cavargamantyahīnaṁ tu vilikhedvahnisaṁsthitam.
cavargamantyahīnaṁ tu vilikhedvahnisaṁsthitam.
15.
tatmadhye vilikhet devi bhromātmakam akṣaram
cavargamantrahīnaṃ tu vilikhed vahnisaṃsthitam
cavargamantrahīnaṃ tu vilikhed vahnisaṃsthitam
15.
devi tat madhye bhromātmakam akṣaram vilikhet
cavargamantrahīnaṃ tu vahni-saṃsthitam vilikhet
cavargamantrahīnaṃ tu vahni-saṃsthitam vilikhet
15. O goddess, in the middle of that, one should write the syllable composed of bhroma, and also write the group of consonants lacking the final letter, situated in the fire (vahnisaṃsthitam).
चतुर्दशस्वरोपेतं बिन्दुनादाङ्कितं पृथक् ।
वह्निजायान्वितो मन्त्रो भेरुण्डायाः फलप्रदः ॥१६॥
वह्निजायान्वितो मन्त्रो भेरुण्डायाः फलप्रदः ॥१६॥
16. caturdaśasvaropetaṁ bindunādāṅkitaṁ pṛthak ,
vahnijāyānvito mantro bheruṇḍāyāḥ phalapradaḥ.
vahnijāyānvito mantro bheruṇḍāyāḥ phalapradaḥ.
16.
caturdaśasvaropetaṃ bindunādāṅkitaṃ pṛthak
vahnijāyānvito mantro bheruṇḍāyāḥ phalapradaḥ
vahnijāyānvito mantro bheruṇḍāyāḥ phalapradaḥ
16.
caturdaśasvaropetaṃ bindunādāṅkitaṃ pṛthak
vahnijāyānvitaḥ bheruṇḍāyāḥ mantraḥ phalapradaḥ bhavati
vahnijāyānvitaḥ bheruṇḍāyāḥ mantraḥ phalapradaḥ bhavati
16. Endowed with the fourteen vowels, marked with bindu and nāda separately, and joined with the spouse of fire (vahni-jāyā / svāhā), the mantra of Bheruṇḍā grants fulfillment.
भुवनेशीं समुच्चार्य चतुर्थ्या वह्निवासिनीम् ।
हृदन्तोऽयं मनुर्देवि नित्येयं वह्निवासिनी ॥१७॥
हृदन्तोऽयं मनुर्देवि नित्येयं वह्निवासिनी ॥१७॥
17. bhuvaneśīṁ samuccārya caturthyā vahnivāsinīm ,
hṛdanto'yaṁ manurdevi nityeyaṁ vahnivāsinī.
hṛdanto'yaṁ manurdevi nityeyaṁ vahnivāsinī.
17.
bhuvaneśīm samuccārya caturthyā vahnivāsinīm
hṛdanto ayam manur devi nityeyam vahnivāsinī
hṛdanto ayam manur devi nityeyam vahnivāsinī
17.
devi bhuvaneśīm samuccārya caturthyā vahnivāsinīm
ayam hṛdantaḥ manuḥ nityā iyam vahnivāsinī
ayam hṛdantaḥ manuḥ nityā iyam vahnivāsinī
17. O goddess, having uttered Bhuvaneśī along with the fourth case and the dweller in fire, this heart-mantra is eternal, and she is the dweller in fire.
प्रणवं भुवनेशानि फरेमात्मकमक्षरम् ।
सविसर्गः शशी पश्चान्नित्यक्लिन्ने मदद्रवे ॥१८॥
सविसर्गः शशी पश्चान्नित्यक्लिन्ने मदद्रवे ॥१८॥
18. praṇavaṁ bhuvaneśāni pharemātmakamakṣaram ,
savisargaḥ śaśī paścānnityaklinne madadrave.
savisargaḥ śaśī paścānnityaklinne madadrave.
18.
praṇavam bhuvanesāni pharematmakam akṣaram
savisargaḥ śaśī paścāt nityaklinne madadrave
savisargaḥ śaśī paścāt nityaklinne madadrave
18.
bhuvanesāni praṇavam pharematmakam akṣaram
savisargaḥ śaśī paścāt nityaklinne madadrave
savisargaḥ śaśī paścāt nityaklinne madadrave
18. O mistress of Bhuvana, praṇava (the syllable Oṃ), the syllable consisting of pharema, along with visarga, and the moon thereafter - (all these) in the context of Nityaklinnā and Madadravā.
वह्निजायान्विता विद्या सर्वैश्वर्यप्रदायिनी ।
महाविद्येश्वरी नित्या प्रसङ्गेन मयेरिता ॥१९॥
महाविद्येश्वरी नित्या प्रसङ्गेन मयेरिता ॥१९॥
19. vahnijāyānvitā vidyā sarvaiśvaryapradāyinī ,
mahāvidyeśvarī nityā prasaṅgena mayeritā.
mahāvidyeśvarī nityā prasaṅgena mayeritā.
19.
vahnijāyānvitā vidyā sarvaiśvaryapradāyinī
mahāvidyeśvarī nityā prasaṅgena mayā iritā
mahāvidyeśvarī nityā prasaṅgena mayā iritā
19.
vahnijāyānvitā sarvaiśvaryapradāyinī
mahāvidyeśvarī nityā vidyā prasaṅgena mayā iritā
mahāvidyeśvarī nityā vidyā prasaṅgena mayā iritā
19. Endowed with the spouse of fire (svāhā), this knowledge of Mahāvidyeśvarī, the eternal one who grants all divine power, has thus been recounted by me in context.
पराबीजं समुच्चार्य शिवदूतीं च ङेयुताम् ।
हृदन्तोऽयं मनुर्देवि दूतीयं सर्वकामदा ॥२०॥
हृदन्तोऽयं मनुर्देवि दूतीयं सर्वकामदा ॥२०॥
20. parābījaṁ samuccārya śivadūtīṁ ca ṅeyutām ,
hṛdanto'yaṁ manurdevi dūtīyaṁ sarvakāmadā.
hṛdanto'yaṁ manurdevi dūtīyaṁ sarvakāmadā.
20.
parābījaṃ samuccārya śivadūtīṃ ca ṅe-yutām
hṛdanto ayaṃ manur devi dūtīyaṃ sarvakāmadā
hṛdanto ayaṃ manur devi dūtīyaṃ sarvakāmadā
20.
devi samuccārya parābījaṃ ca ṅe-yutām
śivadūtīṃayam hṛdantaḥ manuḥ dūtīyaṃ sarvakāmadā
śivadūtīṃayam hṛdantaḥ manuḥ dūtīyaṃ sarvakāmadā
20. O goddess, having uttered the supreme seed mantra (parābīja) along with Śivadūtī joined with the fourth case ending (ṅe), this heart-mantra of Dūtī grants all desires.
ओंकारबीजमुच्चार्य परां कवचमालिखेत् ।
खे च छे क्षः समालिख्य स्त्रीबीजं च समालिखेत् ॥२१॥
खे च छे क्षः समालिख्य स्त्रीबीजं च समालिखेत् ॥२१॥
21. oṁkārabījamuccārya parāṁ kavacamālikhet ,
khe ca che kṣaḥ samālikhya strībījaṁ ca samālikhet.
khe ca che kṣaḥ samālikhya strībījaṁ ca samālikhet.
21.
oṅkārabījam uccārya parām kavacam ālikhet khe
ca छे kṣaḥ samālikhya strībījam ca samālikhet
ca छे kṣaḥ samālikhya strībījam ca samālikhet
21.
oṅkārabījam uccārya parām kavacam ālikhet,
khe ca che kṣaḥ samālikhya strībījam ca samālikhet
khe ca che kṣaḥ samālikhya strībījam ca samālikhet
21. Having uttered the root mantra oṅkāra, one should write out the supreme armor (kavaca). Having inscribed khe, che, and kṣaḥ, one should also write the feminine seed syllable.
हूंकारं क्षे परा चास्त्रं विद्येयं द्वादशाक्षरी ।
त्वरिता नाम नित्येयं त्रिषु लोकेषु दुर्लभा ॥२२॥
त्वरिता नाम नित्येयं त्रिषु लोकेषु दुर्लभा ॥२२॥
22. hūṁkāraṁ kṣe parā cāstraṁ vidyeyaṁ dvādaśākṣarī ,
tvaritā nāma nityeyaṁ triṣu lokeṣu durlabhā.
tvaritā nāma nityeyaṁ triṣu lokeṣu durlabhā.
22.
hūṃkāraṃ kṣe parā ca astraṃ vidyā iyam dvādaśa
akṣarī tvaritā nāma nityā iyam triṣu lokeṣu durlabhā
akṣarī tvaritā nāma nityā iyam triṣu lokeṣu durlabhā
22.
iyam tvaritā nāma nityā dvādaśākṣarī hūṃkāraṃ
kṣe parā ca astraṃ vidyā triṣu lokeṣu durlabhā
kṣe parā ca astraṃ vidyā triṣu lokeṣu durlabhā
22. This eternal twelve-syllabled vidyā named Tvaritā, whose hūṃkāra, kṣe, supreme, and astra forms are known, is extremely rare across the three worlds.
सर्वसिंहासनमयी बालेव कुलसुन्दरी ।
बालया पुटितां कुर्यात्तथा वै नित्यभैरवी ॥२३॥
बालया पुटितां कुर्यात्तथा वै नित्यभैरवी ॥२३॥
23. sarvasiṁhāsanamayī bāleva kulasundarī ,
bālayā puṭitāṁ kuryāttathā vai nityabhairavī.
bālayā puṭitāṁ kuryāttathā vai nityabhairavī.
23.
sarvasiṃhāsanamayī bālā iva kulasundarī
bālayā puṭitāṃ kuryāt tathā vai nityabhairavī
bālayā puṭitāṃ kuryāt tathā vai nityabhairavī
23.
sarvasiṃhāsanamayī bālā iva kulasundarī
bālayā puṭitāṃ tathā vai nityabhairavī kuryāt
bālayā puṭitāṃ tathā vai nityabhairavī kuryāt
23. Just like a young girl who is the embodiment of all thrones and a ornament of her lineage, one should thus indeed enclose Nityabhairavī with bālā.
पञ्च बाणाश्च देवेशी नित्या शक्राक्षरी भवेत् ।
त्रैलोक्यविमला विद्या नित्याख्या परमेश्वरी ॥२४॥
त्रैलोक्यविमला विद्या नित्याख्या परमेश्वरी ॥२४॥
24. pañca bāṇāśca deveśī nityā śakrākṣarī bhavet ,
trailokyavimalā vidyā nityākhyā parameśvarī.
trailokyavimalā vidyā nityākhyā parameśvarī.
24.
pañca bāṇāḥ ca devī īśī nityā śakrākṣarī bhavet
trailokyavimalā vidyā nityākhyā parameśvarī
trailokyavimalā vidyā nityākhyā parameśvarī
24.
pañca bāṇāḥ ca devī īśī nityā śakrākṣarī bhavet
trailokyavimalā vidyā nityākhyā parameśvarī
trailokyavimalā vidyā nityākhyā parameśvarī
24. O goddess (devī), the five arrows and the śakrākṣarī nityā should be. Trailokyavimalā is the vidyā known as Nityā, the supreme goddess.
पञ्चाक्षरी बाणबीजैनीत्येयमपरा प्रिये ।
प्रणवं भुवनेशानी फरेमात्मकमक्षरम् ॥२५॥
प्रणवं भुवनेशानी फरेमात्मकमक्षरम् ॥२५॥
25. pañcākṣarī bāṇabījainītyeyamaparā priye ,
praṇavaṁ bhuvaneśānī pharemātmakamakṣaram.
praṇavaṁ bhuvaneśānī pharemātmakamakṣaram.
25.
pañcākṣarī bāṇabījainīti iyam aparā priye
praṇavam bhuvaneśānī pharemātmakam akṣaram
praṇavam bhuvaneśānī pharemātmakam akṣaram
25.
priye bāṇabījainī iti iyam aparā pañcākṣarī (bhavati)
praṇavam bhuvaneśānī pharemātmakam akṣaram (ca)
praṇavam bhuvaneśānī pharemātmakam akṣaram (ca)
25. O beloved, this is another five-syllabled one possessing the bāṇa seed mantras, and the praṇava along with the bhuvaneśānī syllable constitutes the phara nature.
स्रूमात्मकं द्वितीयं च भुवनेश्यङ्कुशं ततः ।
नित्यशब्दं समुद्धृत्य संबुद्ध्या तु मदद्रवाम् ॥२६॥
नित्यशब्दं समुद्धृत्य संबुद्ध्या तु मदद्रवाम् ॥२६॥
26. srūmātmakaṁ dvitīyaṁ ca bhuvaneśyaṅkuśaṁ tataḥ ,
nityaśabdaṁ samuddhṛtya saṁbuddhyā tu madadravām.
nityaśabdaṁ samuddhṛtya saṁbuddhyā tu madadravām.
26.
srūmātmakaṃ dvitīyaṃ ca bhuvaneśy-aṅkuśaṃ tataḥ
nityaśabdaṃ samuddhṛtya saṃbuddhyā tu madadravām
nityaśabdaṃ samuddhṛtya saṃbuddhyā tu madadravām
26.
ca dvitīyaṃ srūmātmakaṃ bhuvaneśy-aṅkuśaṃ tataḥ
nityaśabdaṃ samuddhṛtya tu saṃbuddhyā madadravām
nityaśabdaṃ samuddhṛtya tu saṃbuddhyā madadravām
26. And next, the second (constituent) having the nature of srūma, and the goad (aṅkuśa) of Bhuvaneshī, then uttering the word nitya, along with the vocative case, (form) madadravā.
कवचं चाङ्कुशं पञ्चदशैर्नीलपताकिनी ।
वान्तं कालसमायुक्तं वह्निवायुगतं ततः ॥२७॥
वान्तं कालसमायुक्तं वह्निवायुगतं ततः ॥२७॥
27. kavacaṁ cāṅkuśaṁ pañcadaśairnīlapatākinī ,
vāntaṁ kālasamāyuktaṁ vahnivāyugataṁ tataḥ.
vāntaṁ kālasamāyuktaṁ vahnivāyugataṁ tataḥ.
27.
kavacaṃ ca aṅkuśaṃ pañcadaśaiḥ nīlapatākinī
vāntaṃ kālasamāyuktaṃ vahnivāyugataṃ tataḥ
vāntaṃ kālasamāyuktaṃ vahnivāyugataṃ tataḥ
27.
ca kavacaṃ aṅkuśaṃ pañcadaśaiḥ nīlapatākinī
vāntaṃ kālasamāyuktaṃ vahnivāyugataṃ tataḥ
vāntaṃ kālasamāyuktaṃ vahnivāyugataṃ tataḥ
27. And armor (kavaca), the goad (aṅkuśa), with the fifteen (pañcadaśa), Nīlapatākinī, the letter vā joined with time (kāla), and placed in fire and wind, then.
पृथक्पञ्समायुक्तं ततः शक्रस्वरान्वितम् ।
बिन्दुनादाङ्कितं बीजं नित्येयं विजया प्रिये ॥२८॥
बिन्दुनादाङ्कितं बीजं नित्येयं विजया प्रिये ॥२८॥
28. pṛthakpañsamāyuktaṁ tataḥ śakrasvarānvitam ,
bindunādāṅkitaṁ bījaṁ nityeyaṁ vijayā priye.
bindunādāṅkitaṁ bījaṁ nityeyaṁ vijayā priye.
28.
pṛthak-pañca-samāyuktaṃ tataḥ śakrasvarānvitam
bindunādāṅkitaṃ bījaṃ nityeyaṃ vijayā priye
bindunādāṅkitaṃ bījaṃ nityeyaṃ vijayā priye
28.
tataḥ pṛthak-pañca-samāyuktaṃ śakrasvarānvitam
bindunādāṅkitaṃ bījaṃ nityeyaṃ vijayā priye
bindunādāṅkitaṃ bījaṃ nityeyaṃ vijayā priye
28. O dear one (priye), then (this) seed syllable (bīja), endowed separately with the five, accompanied by Indra's vowel, marked with bindu and nāda, is eternal victory (nityā vijayā).
चन्द्रवारुणसंयुक्तं तारबीजं समालिखेत् ।
चतुर्थ्या तु ततो देवि विलिखेत्सर्वमङ्गलाम् ॥२९॥
चतुर्थ्या तु ततो देवि विलिखेत्सर्वमङ्गलाम् ॥२९॥
29. candravāruṇasaṁyuktaṁ tārabījaṁ samālikhet ,
caturthyā tu tato devi vilikhetsarvamaṅgalām.
caturthyā tu tato devi vilikhetsarvamaṅgalām.
29.
candravāruṇasaṃyuktaṃ tārabījaṃ samālikhet
caturthyā tu tato devi vilikhetsarvamaṅgalām
caturthyā tu tato devi vilikhetsarvamaṅgalām
29.
devi candravāruṇasaṃyuktaṃ tārabījaṃ samālikhet
tato caturthyā tu sarvamaṅgalām vilikhet
tato caturthyā tu sarvamaṅgalām vilikhet
29. O goddess, one should write the seed syllable (tāra-bīja) joined with the moon and Varuṇa (bindu and visarga). Then, with the fourth case ending, one should write Sarvamaṅgalā.
हृदन्तोऽयं मनुर्देवि नित्येयं सर्वमङ्गला ।
तारं हृद्भगवत्यन्ते ज्वालामालिनी देवि च ॥३०॥
तारं हृद्भगवत्यन्ते ज्वालामालिनी देवि च ॥३०॥
30. hṛdanto'yaṁ manurdevi nityeyaṁ sarvamaṅgalā ,
tāraṁ hṛdbhagavatyante jvālāmālinī devi ca.
tāraṁ hṛdbhagavatyante jvālāmālinī devi ca.
30.
hṛdanto'yaṃ manurdevi nityaeyaṃ sarvamaṅgalā
tāraṃ hṛdbhagavatyante jvālāmālinī devi ca
tāraṃ hṛdbhagavatyante jvālāmālinī devi ca
30.
devi ayam manur hṛdantaḥ nityā iyam sarvamaṅgalā
tāram hṛt bhagavati ante ca jvālāmālinī
tāram hṛt bhagavati ante ca jvālāmālinī
30. O goddess, this mantra ends with hṛt (hrīṃ/hṛd), and this eternal goddess is Sarvamaṅgalā. At the end of the tāra (oṃ) and hṛt, add bhagavati, and also jvālāmālinī, O goddess.
द्विरुच्चार्य च सर्वान्ते भूतसंहारकारिके ।
जातवेदसि संलिख्य ज्वलन्तिपदयुग्मकम् ॥३१॥
जातवेदसि संलिख्य ज्वलन्तिपदयुग्मकम् ॥३१॥
31. dviruccārya ca sarvānte bhūtasaṁhārakārike ,
jātavedasi saṁlikhya jvalantipadayugmakam.
jātavedasi saṁlikhya jvalantipadayugmakam.
31.
dviruccārya ca sarvānte bhūtasaṃhārakārike
jātavedasi saṃlikhya jvalantipadayugmakam
jātavedasi saṃlikhya jvalantipadayugmakam
31.
ca sarvānte bhūtasaṃhārakārike dviruccārya
jātavedasi jvalanti-pada-yugmakam ca saṃlikhya
jātavedasi jvalanti-pada-yugmakam ca saṃlikhya
31. Having uttered it twice at the very end as bhūta-saṃhāra-kārikā, and having written it down in jātavedasi, along with the pair of words jvalanti...
ज्वलेतिप्रज्वलद्वन्द्वं हुंकारद्वितयं लिखेत् ।
वह्निबीजत्रयं हुं च अस्त्रस्वाहृन्वितो मनुः ॥३२॥
वह्निबीजत्रयं हुं च अस्त्रस्वाहृन्वितो मनुः ॥३२॥
32. jvaletiprajvaladvandvaṁ huṁkāradvitayaṁ likhet ,
vahnibījatrayaṁ huṁ ca astrasvāhṛnvito manuḥ.
vahnibījatrayaṁ huṁ ca astrasvāhṛnvito manuḥ.
32.
jvaleti prajvaladvandvaṃ huṃkāradvitayaṃ likhet
vahnibījatrayaṃ huṃ ca astrasvāhānvito manuḥ
vahnibījatrayaṃ huṃ ca astrasvāhānvito manuḥ
32.
jvaleti prajvaladvandvaṃ huṃkāradvitayaṃ
vahnibījatrayaṃ huṃ ca astra-svāhā-anvitaḥ manuḥ likhet
vahnibījatrayaṃ huṃ ca astra-svāhā-anvitaḥ manuḥ likhet
32. One should write the double (form) of jvala and prajvala, then the double huṃ-kāra, the three fire seed mantras (vahnibīja), huṃ, and the mantra endowed with astra and svāhā.
इयं नित्या महादेवि ज्वालामालिनिका परा ।
कवर्गान्तं स्वरान्तं च शक्रस्वरविभूषितम् ॥३३॥
कवर्गान्तं स्वरान्तं च शक्रस्वरविभूषितम् ॥३३॥
33. iyaṁ nityā mahādevi jvālāmālinikā parā ,
kavargāntaṁ svarāntaṁ ca śakrasvaravibhūṣitam.
kavargāntaṁ svarāntaṁ ca śakrasvaravibhūṣitam.
33.
iyaṃ nityā mahādevi jvālāmālinikā parā
kavargāntaṃ svarāntaṃ ca śakrasvaravibhūṣitam
kavargāntaṃ svarāntaṃ ca śakrasvaravibhūṣitam
33.
mahādevi,
iyam nityā parā jvālāmālinikā,
kavargāntaṃ svarāntaṃ ca śakrasvaravibhūṣitam (asti)
iyam nityā parā jvālāmālinikā,
kavargāntaṃ svarāntaṃ ca śakrasvaravibhūṣitam (asti)
33. O great goddess, this supreme Nityā is Jvālāmālinikā, ending with the kavarga consonants, ending with a vowel, and adorned with Indra's vowel (anusvāra/bindu).
बिन्दुनादकलाक्रान्तं विचित्रा परमेश्वरी ।
अकारादिषु सर्वेषु स्वरेषु क्रमतो न्यसेत् ॥३४॥
अकारादिषु सर्वेषु स्वरेषु क्रमतो न्यसेत् ॥३४॥
34. bindunādakalākrāntaṁ vicitrā parameśvarī ,
akārādiṣu sarveṣu svareṣu kramato nyaset.
akārādiṣu sarveṣu svareṣu kramato nyaset.
34.
bindunādakalākrāntaṃ citrā paramīśvarī
akārādiṣu sarveṣu svareṣu kramato nyaset
akārādiṣu sarveṣu svareṣu kramato nyaset
34.
paramīśvarī citrā bindunādakalākrāntaṃ
akārādiṣu sarveṣu svareṣu kramataḥ nyaset
akārādiṣu sarveṣu svareṣu kramataḥ nyaset
34. The supreme goddess (parameśvarī), who is wondrous and pervaded by bindu, nāda, and kalā, should be placed methodically upon all the vowels beginning with a.
अःस्वरे परमेशानि श्रीविद्यां विश्वमातृकाम् ।
स्वरवद्विन्यसेन्नित्या नीरजायतलोचने ॥३५॥
स्वरवद्विन्यसेन्नित्या नीरजायतलोचने ॥३५॥
35. aḥsvare parameśāni śrīvidyāṁ viśvamātṛkām ,
svaravadvinyasennityā nīrajāyatalocane.
svaravadvinyasennityā nīrajāyatalocane.
35.
aḥsvare parameśāni śrīvidyāṃ viśvamātṛkām
svaravadvinyasennityā nīrajāyatalocane
svaravadvinyasennityā nīrajāyatalocane
35.
he nīrajāyatalocane parameśāni,
nityā aḥ-svare svaravat śrīvidyāṃ viśvamātṛkām vinyaset
nityā aḥ-svare svaravat śrīvidyāṃ viśvamātṛkām vinyaset
35. O goddess with eyes like lotus petals, O supreme mistress, one should place the eternal Śrīvidyā, who is the mother of the universe, upon the vowel aḥ just like any other vowel.
प्रकटाद्या न्यसेत्पश्चादाधारादिषु मन्त्रवित् ।
स्थितिन्यासं ततः कुर्याच्छ्रीविद्याषोडशाक्षरैः ॥३६॥
स्थितिन्यासं ततः कुर्याच्छ्रीविद्याषोडशाक्षरैः ॥३६॥
36. prakaṭādyā nyasetpaścādādhārādiṣu mantravit ,
sthitinyāsaṁ tataḥ kuryācchrīvidyāṣoḍaśākṣaraiḥ.
sthitinyāsaṁ tataḥ kuryācchrīvidyāṣoḍaśākṣaraiḥ.
36.
prakaṭādyāḥ nyaset paścāt ādhārādiṣu mantravit
sthiti-nyāsam tataḥ kuryāt śrīvidyā-ṣoḍaśākṣaraiḥ
sthiti-nyāsam tataḥ kuryāt śrīvidyā-ṣoḍaśākṣaraiḥ
36.
mantravit paścāt prakaṭādyāḥ ādhārādiṣu nyaset
tataḥ śrīvidyā-ṣoḍaśākṣaraiḥ sthiti-nyāsam kuryāt
tataḥ śrīvidyā-ṣoḍaśākṣaraiḥ sthiti-nyāsam kuryāt
36. Afterwards, the knower of the mantra should place the outer goddesses beginning with Prakaṭā upon the centers starting from the ādhāra, and then perform the sthiti-nyāsa using the sixteen syllables of Śrīvidyā.
पञ्चाङ्गुलीषु करयोर्ब्रह्मरन्ध्रे मुखे हृदि ।
त्रयं विन्यस्य नाभ्यादिपादान्ते चैकमद्रिजे ॥३७॥
त्रयं विन्यस्य नाभ्यादिपादान्ते चैकमद्रिजे ॥३७॥
37. pañcāṅgulīṣu karayorbrahmarandhre mukhe hṛdi ,
trayaṁ vinyasya nābhyādipādānte caikamadrije.
trayaṁ vinyasya nābhyādipādānte caikamadrije.
37.
pañcāṅguliṣu karayoḥ brahmarandhre mukhe hṛdi
trayam vinyasya nābhyādipādānte ca ekam adrije
trayam vinyasya nābhyādipādānte ca ekam adrije
37.
adrije,
pañcāṅguliṣu karayoḥ brahmarandhre mukhe hṛdi ca trayam vinyasya nābhyādipādānte ekam (vinyasya)
pañcāṅguliṣu karayoḥ brahmarandhre mukhe hṛdi ca trayam vinyasya nābhyādipādānte ekam (vinyasya)
37. O daughter of the mountain (adrije), having placed three (syllables) on the five fingers, the two hands, the brahmarandhra, the face, and the heart, and one (syllable) from the navel down to the feet, (one should complete the nyāsa).
गलादिनाभिपर्यन्तमपरं हि ततः परम् ।
ब्रह्मरन्ध्रादिकण्ठान्तमेकं विन्यस्य पादयोः ॥३८॥
ब्रह्मरन्ध्रादिकण्ठान्तमेकं विन्यस्य पादयोः ॥३८॥
38. galādinābhiparyantamaparaṁ hi tataḥ param ,
brahmarandhrādikaṇṭhāntamekaṁ vinyasya pādayoḥ.
brahmarandhrādikaṇṭhāntamekaṁ vinyasya pādayoḥ.
38.
galādinābhiparyantam aparaṃ hi tataḥ param
brahmarandhrādikaṇṭhāntam ekam vinyasya pādayoḥ
brahmarandhrādikaṇṭhāntam ekam vinyasya pādayoḥ
38.
galādinābhiparyantam aparaṃ hi tataḥ param
brahmarandhrādikaṇṭhāntam ekam vinyasya pādayoḥ
brahmarandhrādikaṇṭhāntam ekam vinyasya pādayoḥ
38. One should place (the mantra or energy) from the neck up to the navel, and indeed another beyond that, from the brahmarandhra up to the throat, placing (them) on the feet.
अङ्गुलीषु च विन्यस्य न्यासोऽयं स्थितिकारकः ।
सृष्टिन्यासं ततः कुर्यात्सर्वसिद्धिप्रदायकम् ॥३९॥
सृष्टिन्यासं ततः कुर्यात्सर्वसिद्धिप्रदायकम् ॥३९॥
39. aṅgulīṣu ca vinyasya nyāso'yaṁ sthitikārakaḥ ,
sṛṣṭinyāsaṁ tataḥ kuryātsarvasiddhipradāyakam.
sṛṣṭinyāsaṁ tataḥ kuryātsarvasiddhipradāyakam.
39.
aṅgulīṣu ca vinyasya nyāsaḥ ayam sthitikārakaḥ
sṛṣṭinyāsam tataḥ kuryāt sarvasiddhipradāyakam
sṛṣṭinyāsam tataḥ kuryāt sarvasiddhipradāyakam
39.
aṅgulīṣu ca vinyasya ayam nyāsaḥ sthitikārakaḥ
tataḥ sarvasiddhipradāyakam sṛṣṭinyāsam kuryāt
tataḥ sarvasiddhipradāyakam sṛṣṭinyāsam kuryāt
39. Having placed (it) also on the fingers, this nyāsa ensures stability. Thereafter, one should perform the creation nyāsa (sṛṣṭinyāsa), which grants all spiritual attainments (siddhi).
ब्रह्मरन्ध्रेऽलिके नेत्रश्रुतिघ्राणोष्ठकेषु च ।
दन्तान्तरोर्ध्वके देवि जिह्वायां गलकूपके ॥४०॥
दन्तान्तरोर्ध्वके देवि जिह्वायां गलकूपके ॥४०॥
40. brahmarandhre'like netraśrutighrāṇoṣṭhakeṣu ca ,
dantāntarordhvake devi jihvāyāṁ galakūpake.
dantāntarordhvake devi jihvāyāṁ galakūpake.
40.
brahmarandhre alike netraśrutighrāṇoṣṭhakeṣu
ca dantāntarordhvake devi jihvāyāṃ galakūpake
ca dantāntarordhvake devi jihvāyāṃ galakūpake
40.
devi brahmarandhre alike netraśrutighrāṇoṣṭhakeṣu
ca dantāntarordhvake jihvāyāṃ galakūpake ca
ca dantāntarordhvake jihvāyāṃ galakūpake ca
40. O Goddess, (place it) on the brahmarandhra, the forehead, the eyes, ears, nose and lips, as well as between the teeth, on the upper part, on the tongue, and in the hollow of the throat.
पृष्ठे सर्वाङ्गहृदयस्तनकुक्षिषु लिङ्गके ।
श्रीविद्यार्णैर्न्यसेद्देवि मन्त्रं सर्वसमृद्धये ॥४१॥
श्रीविद्यार्णैर्न्यसेद्देवि मन्त्रं सर्वसमृद्धये ॥४१॥
41. pṛṣṭhe sarvāṅgahṛdayastanakukṣiṣu liṅgake ,
śrīvidyārṇairnyaseddevi mantraṁ sarvasamṛddhaye.
śrīvidyārṇairnyaseddevi mantraṁ sarvasamṛddhaye.
41.
pṛṣṭhe sarvāngahṛdayastanakukṣiṣu lingake
śrīvidyārṇair nyased devi mantraṃ sarvasamṛddhaye
śrīvidyārṇair nyased devi mantraṃ sarvasamṛddhaye
41.
devi,
pṛṣṭhe sarvāṅgahṛdayastanakukṣiṣu liṅgake śrīvidyārṇaiḥ sarvasamṛddhaye mantraṃ nyaset
pṛṣṭhe sarvāṅgahṛdayastanakukṣiṣu liṅgake śrīvidyārṇaiḥ sarvasamṛddhaye mantraṃ nyaset
41. O goddess, for the sake of attaining all prosperity, one should place the mantra upon the back, the entire body, the heart, the breasts, the belly, and the genital organ, using the letters of Śrīvidyārṇava.
सर्वाङ्गे विन्यसेत्पश्चाद्व्यापकत्वेन सुन्दरि ।
प्राणानायम्य विधिवन्मुद्रासन्नद्धविग्रहः ॥४२॥
प्राणानायम्य विधिवन्मुद्रासन्नद्धविग्रहः ॥४२॥
42. sarvāṅge vinyasetpaścādvyāpakatvena sundari ,
prāṇānāyamya vidhivanmudrāsannaddhavigrahaḥ.
prāṇānāyamya vidhivanmudrāsannaddhavigrahaḥ.
42.
sarvāṅge vinyaset paścād vyāpakatvena sundari
prāṇān āyamya vidhi-vat mudrāsannaddhavigrahaḥ
prāṇān āyamya vidhi-vat mudrāsannaddhavigrahaḥ
42.
sundari,
paścāt sarvāṅge vyāpakatvena vinyaset,
vidhivat prāṇān āyamya mudrāsannaddhavigrahaḥ
paścāt sarvāṅge vyāpakatvena vinyaset,
vidhivat prāṇān āyamya mudrāsannaddhavigrahaḥ
42. O beautiful one, afterwards one should mentally assign it pervadingly across the entire body, having regulated the breath according to rule and with his body equipped with mudrās.
संक्षोभद्रावणाकर्षवश्योन्मादमहाङ्कुशाः ।
खेचरी बीजरूपा च योनिमुद्रेत्यनुक्रमात् ॥४३॥
खेचरी बीजरूपा च योनिमुद्रेत्यनुक्रमात् ॥४३॥
43. saṁkṣobhadrāvaṇākarṣavaśyonmādamahāṅkuśāḥ ,
khecarī bījarūpā ca yonimudretyanukramāt.
khecarī bījarūpā ca yonimudretyanukramāt.
43.
saṃkṣobhadrāvaṇākarṣavaśyonādamahāṅkuśāḥ
khecarī bījarūpā ca yonimudrā ityanukramāt
khecarī bījarūpā ca yonimudrā ityanukramāt
43.
saṃkṣobhadrāvaṇākarṣavaśyonādamahāṅkuśāḥ,
khecarī ca bījarūpā,
yonimudrā ca ityanukramāt
khecarī ca bījarūpā,
yonimudrā ca ityanukramāt
43. Saṃkṣobhiṇī, Drāviṇī, Ākarṣiṇī, Vaśīkaraṇī, Unmādinī, and Mahāṅkuśā, along with Khecarī in the form of a seed syllable, and the Yoni-mudrā - these are in regular successive order.
बीजानि वक्ष्ये क्रमतो मुद्राणां परमेश्वरि ।
पञ्चबाणैः पञ्च मुद्राः क्रोमात्मकमक्षरम् ॥४४॥
पञ्चबाणैः पञ्च मुद्राः क्रोमात्मकमक्षरम् ॥४४॥
44. bījāni vakṣye kramato mudrāṇāṁ parameśvari ,
pañcabāṇaiḥ pañca mudrāḥ kromātmakamakṣaram.
pañcabāṇaiḥ pañca mudrāḥ kromātmakamakṣaram.
44.
bījāni vakṣye kramato mudrānāṃ parameśvari
pañcabāṇaiḥ pañca mudrāḥ krodhātmakam akṣaram
pañcabāṇaiḥ pañca mudrāḥ krodhātmakam akṣaram
44.
he parameśvari kramataḥ mudrānāṃ bījāni pañcabāṇaiḥ
pañca mudrāḥ krodhātmakam akṣaram ca vakṣye
pañca mudrāḥ krodhātmakam akṣaram ca vakṣye
44. O supreme goddess, I will describe in order the seed syllables of the mudrās, the five mudrās by means of the five arrows, and the syllable that embodies wrath.
आद्यं तु रुद्रभैरव्या बीजं सादाशिवं ततः ।
ततस्तु वाग्भवं देवि क्रमेण हि चतुष्टयम् ॥४५॥
ततस्तु वाग्भवं देवि क्रमेण हि चतुष्टयम् ॥४५॥
45. ādyaṁ tu rudrabhairavyā bījaṁ sādāśivaṁ tataḥ ,
tatastu vāgbhavaṁ devi krameṇa hi catuṣṭayam.
tatastu vāgbhavaṁ devi krameṇa hi catuṣṭayam.
45.
ādyaṃ tu rudrabhairavyā bījaṃ sādāśivaṃ tataḥ
tatastu vāgbhavaṃ devi krameṇa hi catuṣṭayam
tatastu vāgbhavaṃ devi krameṇa hi catuṣṭayam
45.
he devi ādyaṃ tu rudrabhairavyā bījaṃ tataḥ
sādāśivaṃ tataḥ tu vāgbhavaṃ hi krameṇa catuṣṭayam
sādāśivaṃ tataḥ tu vāgbhavaṃ hi krameṇa catuṣṭayam
45. O goddess, first is the seed of rudrabhairavī, then the sādāśiva seed, and then indeed the vāgbhava seed - thus in order there is a tetrad.
चतुर्मुद्रासु बीजानि नवमुद्रास्वनुक्रमात् ।
अथ वक्ष्ये महेशत्नि मुद्राविवरणं क्रमात् ॥४६॥
अथ वक्ष्ये महेशत्नि मुद्राविवरणं क्रमात् ॥४६॥
46. caturmudrāsu bījāni navamudrāsvanukramāt ,
atha vakṣye maheśatni mudrāvivaraṇaṁ kramāt.
atha vakṣye maheśatni mudrāvivaraṇaṁ kramāt.
46.
caturmudrāsu bījāni navamudrāsvanukramāt
atha vakṣye maheśatni mudrāvibaraṇaṃ kramāt
atha vakṣye maheśatni mudrāvibaraṇaṃ kramāt
46.
caturmudrāsu bījāni navamudrāsu ca anukramāt
atha he maheśatni kramāt mudrāvibaraṇaṃ vakṣye
atha he maheśatni kramāt mudrāvibaraṇaṃ vakṣye
46. I will tell you the seed syllables for the four mudrās and successively for the nine mudrās. Now, O lady who is equal to Maheshvara, I will describe the mudrās in detail in order.
वामहस्तेन मुष्टिं तु बद्ध्वा कर्णप्रदेशके ।
तर्जनीं सरलां कृत्वा भ्रामयेत्तन्त्रवित्तमः ॥४७॥
तर्जनीं सरलां कृत्वा भ्रामयेत्तन्त्रवित्तमः ॥४७॥
47. vāmahastena muṣṭiṁ tu baddhvā karṇapradeśake ,
tarjanīṁ saralāṁ kṛtvā bhrāmayettantravittamaḥ.
tarjanīṁ saralāṁ kṛtvā bhrāmayettantravittamaḥ.
47.
vāma-hastena muṣṭiṃ tu baddhvā karṇa-pradeśake
tarjanīṃ saralāṃ kṛtvā bhrāmayet tantra-vittamaḥ
tarjanīṃ saralāṃ kṛtvā bhrāmayet tantra-vittamaḥ
47.
tantra-vittamaḥ vāma-hastena muṣṭiṃ tu baddhvā
karṇa-pradeśake tarjanīṃ saralāṃ kṛtvā bhrāmayet
karṇa-pradeśake tarjanīṃ saralāṃ kṛtvā bhrāmayet
47. The foremost knower of tantra should make a fist with his left hand near the ear, keep the forefinger straight, and wave it.
सौभाग्यदण्डिनी मुद्रा न्यासकाले तु सूचिता ।
अन्तरङ्गुष्ठमुष्ट्या तु निरुध्य जगतीमिमाम् ॥४८॥
अन्तरङ्गुष्ठमुष्ट्या तु निरुध्य जगतीमिमाम् ॥४८॥
48. saubhāgyadaṇḍinī mudrā nyāsakāle tu sūcitā ,
antaraṅguṣṭhamuṣṭyā tu nirudhya jagatīmimām.
antaraṅguṣṭhamuṣṭyā tu nirudhya jagatīmimām.
48.
saubhāgya-daṇḍinī mudrā nyāsa-kāle tu sūcitā
antaḥ-aṅguṣṭha-muṣṭyā tu nirudhya jagatīm imām
antaḥ-aṅguṣṭha-muṣṭyā tu nirudhya jagatīm imām
48.
saubhāgya-daṇḍinī mudrā nyāsa-kāle tu sūcitā,
antaḥ-aṅguṣṭha-muṣṭyā tu imām jagatīm nirudhya
antaḥ-aṅguṣṭha-muṣṭyā tu imām jagatīm nirudhya
48. The mudrā known as Saubhāgyadaṇḍinī is indicated during the time of nyāsa. Having restrained this world with a fist containing the thumb inside, (one performs it).
रिपुजिह्वाग्रहा मुद्रा न्यासकाले तु सूचिता ।
पाणिद्वयं महेशानि परिवर्तनयोगतः ॥४९॥
पाणिद्वयं महेशानि परिवर्तनयोगतः ॥४९॥
49. ripujihvāgrahā mudrā nyāsakāle tu sūcitā ,
pāṇidvayaṁ maheśāni parivartanayogataḥ.
pāṇidvayaṁ maheśāni parivartanayogataḥ.
49.
ripu-jihvā-grahā mudrā nyāsa-kāle tu sūcitā
pāṇi-dvayam maheśāni parivartana-yogataḥ
pāṇi-dvayam maheśāni parivartana-yogataḥ
49.
he maheśāni,
ripu-jihvā-grahā mudrā nyāsa-kāle tu sūcitā pāṇi-dvayam parivartana-yogataḥ
ripu-jihvā-grahā mudrā nyāsa-kāle tu sūcitā pāṇi-dvayam parivartana-yogataḥ
49. O goddess Maheśānī, the mudrā for seizing the enemy's tongue is likewise indicated during the time of nyāsa, by the turning of both hands.
योजयित्वा तर्जनीभ्यामनामे वारयेत्प्रिये ।
मध्यमे योजयेन्मध्ये कनिष्ठे तदधस्तथा ॥५०॥
मध्यमे योजयेन्मध्ये कनिष्ठे तदधस्तथा ॥५०॥
50. yojayitvā tarjanībhyāmanāme vārayetpriye ,
madhyame yojayenmadhye kaniṣṭhe tadadhastathā.
madhyame yojayenmadhye kaniṣṭhe tadadhastathā.
50.
yojayitvā tarjanībhyām anāme vārayet priyẹ
madhyame yojayet madhye kaniṣṭhe tad adhas tathā
madhyame yojayet madhye kaniṣṭhe tad adhas tathā
50.
priye tarjanībhyām anāme yojayitvā vārayet
madhyame madhye yojayet kaniṣṭhe tat adhaḥ tathā
madhyame madhye yojayet kaniṣṭhe tat adhaḥ tathā
50. O beloved, joining the two ring fingers with the two forefingers, one should ward off (the forces). Likewise, one should place the middle fingers in the middle, and the little fingers below that.
अङ्गुष्ठावपि संयोज्य त्रिधा युग्मक्रमेण तु ।
त्रिखण्डा नाम मुद्रेयं त्रिपुराह्वानकर्मणि ॥५१॥
त्रिखण्डा नाम मुद्रेयं त्रिपुराह्वानकर्मणि ॥५१॥
51. aṅguṣṭhāvapi saṁyojya tridhā yugmakrameṇa tu ,
trikhaṇḍā nāma mudreyaṁ tripurāhvānakarmaṇi.
trikhaṇḍā nāma mudreyaṁ tripurāhvānakarmaṇi.
51.
aṅguṣṭhau api saṃyojya tridhā yugmakrameṇa tu
trikhaṇḍā nāma mudrā iyam tripurā āhvāna karmaṇi
trikhaṇḍā nāma mudrā iyam tripurā āhvāna karmaṇi
51.
tu api aṅguṣṭhau saṃyojya tridhā yugmakrameṇa iyam
trikhaṇḍā nāma mudrā tripurāhvānakarmaṇi (bhavati)
trikhaṇḍā nāma mudrā tripurāhvānakarmaṇi (bhavati)
51. And having also joined the two thumbs in a threefold pair-wise order, this mudrā named Trikhaṇḍā is used in the ritual of invoking Tripurā.
विरलौ तु करौ कृत्वा मध्यमे मध्यमे कुरु ।
अङ्गुष्ठाभ्यां कनिष्ठे च संपीड्य सरले ततः ॥५२॥
अङ्गुष्ठाभ्यां कनिष्ठे च संपीड्य सरले ततः ॥५२॥
52. viralau tu karau kṛtvā madhyame madhyame kuru ,
aṅguṣṭhābhyāṁ kaniṣṭhe ca saṁpīḍya sarale tataḥ.
aṅguṣṭhābhyāṁ kaniṣṭhe ca saṁpīḍya sarale tataḥ.
52.
viralau tu karau kṛtvā madhyame madhyame kuru
aṅguṣṭhābhyāṃ kaniṣṭhe ca saṃpīḍya sarale tataḥ
aṅguṣṭhābhyāṃ kaniṣṭhe ca saṃpīḍya sarale tataḥ
52.
tu karau viralau kṛtvā madhyame madhyame kuru
aṅguṣṭhābhyāṃ ca kaniṣṭhe sampīḍya sarale tataḥ
aṅguṣṭhābhyāṃ ca kaniṣṭhe sampīḍya sarale tataḥ
52. Making both hands spread out, place the middle fingers in the middle, and then firmly pressing the little fingers with the thumbs, keep them straight.
तर्जन्यौ दण्डवत्कुर्यान्मध्यमस्थ ह्यनामिके ।
सर्वसंक्षोभिणी मुद्रा त्रैलोक्यक्षोभकारिणी ॥५३॥
सर्वसंक्षोभिणी मुद्रा त्रैलोक्यक्षोभकारिणी ॥५३॥
53. tarjanyau daṇḍavatkuryānmadhyamastha hyanāmike ,
sarvasaṁkṣobhiṇī mudrā trailokyakṣobhakāriṇī.
sarvasaṁkṣobhiṇī mudrā trailokyakṣobhakāriṇī.
53.
tarjanyau daṇḍavat kuryān madhyamastha hy anāmike
sarva-saṃkṣobhiṇī mudrā trailokya-kṣobhakāriṇī
sarva-saṃkṣobhiṇī mudrā trailokya-kṣobhakāriṇī
53.
tarjanyau anāmike ca daṇḍavat kuryāt hy madhyamastha
sarva-saṃkṣobhiṇī trailokya-kṣobhakāriṇī mudrā
sarva-saṃkṣobhiṇī trailokya-kṣobhakāriṇī mudrā
53. O beautiful-eyed one, make the index fingers and the ring fingers like a stick, while keeping the middle fingers steady, - this is the Sarvasaṃkṣobhiṇī mudrā, which agitates the three worlds.
मध्यमे तर्जनीयुक्ते सरले स्यात्तदा भवेत् ।
सर्वविद्राविणी मुद्रामोहयेत्सचराचरम् ॥५४॥
सर्वविद्राविणी मुद्रामोहयेत्सचराचरम् ॥५४॥
54. madhyame tarjanīyukte sarale syāttadā bhavet ,
sarvavidrāviṇī mudrāmohayetsacarācaram.
sarvavidrāviṇī mudrāmohayetsacarācaram.
54.
madhyame tarjanī-yukte sarale syāt tadā bhavet
sarva-vidrāviṇī mudrā mohayet sacarācaram
sarva-vidrāviṇī mudrā mohayet sacarācaram
54.
tadā madhyame tarjanī-yukte sarale syāt bhavet
ca sarva-vidrāviṇī mudrā sacarācaram mohayet
ca sarva-vidrāviṇī mudrā sacarācaram mohayet
54. When the middle fingers are joined with the index fingers and kept straight, then it becomes the Sarvavidrāviṇī mudrā, which bewitches all moving and unmoving beings.
मध्यमे तर्जनीयुग्मे वक्रे कुर्यात्सुलोचने ।
एतस्या एव मुद्रायास्तदा कर्षणकारिणी ॥५५॥
एतस्या एव मुद्रायास्तदा कर्षणकारिणी ॥५५॥
55. madhyame tarjanīyugme vakre kuryātsulocane ,
etasyā eva mudrāyāstadā karṣaṇakāriṇī.
etasyā eva mudrāyāstadā karṣaṇakāriṇī.
55.
madhyame tarjanī-yugme vakre kuryāt sulocane
etasyā eva mudrāyās tadā karṣaṇakāriṇī
etasyā eva mudrāyās tadā karṣaṇakāriṇī
55.
sulocane! madhyame tarjanī-yugme ca vakre kuryāt
tadā etasyāḥ eva mudrāyāḥ karṣaṇakāriṇī (bhavati)
tadā etasyāḥ eva mudrāyāḥ karṣaṇakāriṇī (bhavati)
55. O beautiful-eyed one, when one makes the middle fingers and the pair of index fingers curved, then that very mudrā becomes the one that exerts attraction.
विपरीतौ तलौ कृत्वा चाङ्गुली हृन्मुखा यजेत् ।
परिवर्तनमार्गेण क्रमेण निबिडास्ततः ॥५६॥
परिवर्तनमार्गेण क्रमेण निबिडास्ततः ॥५६॥
56. viparītau talau kṛtvā cāṅgulī hṛnmukhā yajet ,
parivartanamārgeṇa krameṇa nibiḍāstataḥ.
parivartanamārgeṇa krameṇa nibiḍāstataḥ.
56.
viparitau talau kṛtvā ca aṅgulī hṛnmukhā
yajet parivartanamārgeṇa krameṇa nibiḍāḥ tataḥ
yajet parivartanamārgeṇa krameṇa nibiḍāḥ tataḥ
56.
viparitau talau kṛtvā ca aṅgulī hṛnmukhā
parivartanamārgeṇa krameṇa nibiḍāḥ tataḥ yajet
parivartanamārgeṇa krameṇa nibiḍāḥ tataḥ yajet
56. Having placed the two palms facing downward and the fingers directed toward the heart and face, one should worship them progressively through the turning path, pressing them closely together thereafter.
अङ्गुष्ठावग्रदेशे तु तर्जन्यावङ्कुशाकृती ।
सर्वा एकत्र संयोज्य सर्ववश्यकरी भवेत् ॥५७॥
सर्वा एकत्र संयोज्य सर्ववश्यकरी भवेत् ॥५७॥
57. aṅguṣṭhāvagradeśe tu tarjanyāvaṅkuśākṛtī ,
sarvā ekatra saṁyojya sarvavaśyakarī bhavet.
sarvā ekatra saṁyojya sarvavaśyakarī bhavet.
57.
aṅguṣṭhau agradeśe tu tarjanyau aṅkuśākṛtī
sarvā ekatra saṃyojya sarvavaśakarī bhavet
sarvā ekatra saṃyojya sarvavaśakarī bhavet
57.
tu aṅguṣṭhau agradeśe tarjanyau aṅkuśākṛtī
sarvāḥ ekatra saṃyojya sarvavaśakarī bhavet
sarvāḥ ekatra saṃyojya sarvavaśakarī bhavet
57. Moreover, placing the two thumbs at the tips and the two index fingers shaped like goads, having joined all of them together, it becomes capable of subjugating all.
पुटाञ्जलिकरौ कृत्वा मध्यमागर्भसंस्थिते ।
परस्परकनिष्ठे तु तर्जन्यग्रगते ततः ॥५८॥
परस्परकनिष्ठे तु तर्जन्यग्रगते ततः ॥५८॥
58. puṭāñjalikarau kṛtvā madhyamāgarbhasaṁsthite ,
parasparakaniṣṭhe tu tarjanyagragate tataḥ.
parasparakaniṣṭhe tu tarjanyagragate tataḥ.
58.
puṭāñjalikarau kṛtvā madhyamāgarbhasaṃsthite
parasparakaniṣṭhe tu tarjanyagragate tataḥ
parasparakaniṣṭhe tu tarjanyagragate tataḥ
58.
puṭāñjalikarau kṛtvā madhyamāgarbhasaṃsthite
parasparakaniṣṭhe tu tataḥ tarjanyagragate
parasparakaniṣṭhe tu tataḥ tarjanyagragate
58. Having formed the hands into a cupped Añjali gesture with the middle fingers situated within the interior, and the two little fingers mutual, thereafter with the index fingers reaching the tips,
अनामिके तु सरले मध्यमामुखदेशगौ ।
अङ्गुष्ठौ परमेशानि सर्वोन्मादनकारिणी ॥५९॥
अङ्गुष्ठौ परमेशानि सर्वोन्मादनकारिणी ॥५९॥
59. anāmike tu sarale madhyamāmukhadeśagau ,
aṅguṣṭhau parameśāni sarvonmādanakāriṇī.
aṅguṣṭhau parameśāni sarvonmādanakāriṇī.
59.
anāmike tu sarale madhyamāmukhadeśagau
aṅguṣṭhau parameśāni sarvonmādanakāriṇī
aṅguṣṭhau parameśāni sarvonmādanakāriṇī
59.
parameśāni,
anāmike sarale tu madhyamāmukhadeśagau aṅguṣṭhau sarvonmādanakāriṇī
anāmike sarale tu madhyamāmukhadeśagau aṅguṣṭhau sarvonmādanakāriṇī
59. O supreme mistress, the ring fingers are straight, and the two thumbs reach the tips of the middle fingers - this (mudrā) drives everyone mad.
एतस्या एव मुद्राया अनामातर्जनीक्रमात् ।
अङ्कुशाकारूपा तु मुद्रेयं तु महाङ्कुशा ॥६०॥
अङ्कुशाकारूपा तु मुद्रेयं तु महाङ्कुशा ॥६०॥
60. etasyā eva mudrāyā anāmātarjanīkramāt ,
aṅkuśākārūpā tu mudreyaṁ tu mahāṅkuśā.
aṅkuśākārūpā tu mudreyaṁ tu mahāṅkuśā.
60.
etasyāḥ eva mudrāyāḥ anāmātarjanīkramāt
aṅkuśākārūpā tu mudrā iyam tu mahāṅkuśā
aṅkuśākārūpā tu mudrā iyam tu mahāṅkuśā
60.
etasyāḥ eva mudrāyāḥ anāmātarjanīkramāt
aṅkuśākārūpā tu iyam mudrā tu mahāṅkuśā
aṅkuśākārūpā tu iyam mudrā tu mahāṅkuśā
60. Starting from the ring finger and index finger of this very mudrā, its form becomes that of a goad - and this mudrā is indeed the great goad.
वामं भुजं दक्षभुजे दक्षिणं वामदेशतः ।
निवेश्य योजयेत्पश्चात्परिवर्त्य क्रमेण हि ॥६१॥
निवेश्य योजयेत्पश्चात्परिवर्त्य क्रमेण हि ॥६१॥
61. vāmaṁ bhujaṁ dakṣabhuje dakṣiṇaṁ vāmadeśataḥ ,
niveśya yojayetpaścātparivartya krameṇa hi.
niveśya yojayetpaścātparivartya krameṇa hi.
61.
vāmaṃ bhujaṃ dakṣabhuje dakṣiṇaṃ vāmadeśataḥ
niveśya yojayetpaścāt parivartya krameṇa hi
niveśya yojayetpaścāt parivartya krameṇa hi
61.
vāmam bhujaṃ dakṣabhuje,
dakṣiṇaṃ ca vāmadeśataḥ niveśya,
paścāt parivartya krameṇa hi yojayet
dakṣiṇaṃ ca vāmadeśataḥ niveśya,
paścāt parivartya krameṇa hi yojayet
61. Placing the left arm on the right arm and the right arm from the left side, one should then successively cross and join them.
कनिष्ठानामिकायुग्मे तर्जनीभ्यां निरोधयेत् ।
मध्यमे सरले कृत्वा योनिवत्सरलौ ततः ॥६२॥
मध्यमे सरले कृत्वा योनिवत्सरलौ ततः ॥६२॥
62. kaniṣṭhānāmikāyugme tarjanībhyāṁ nirodhayet ,
madhyame sarale kṛtvā yonivatsaralau tataḥ.
madhyame sarale kṛtvā yonivatsaralau tataḥ.
62.
kaniṣṭhānāmikāyugme tarjanībhyāṃ nirodhayet
madhyame sarale kṛtvā yonivatsaralau tataḥ
madhyame sarale kṛtvā yonivatsaralau tataḥ
62.
tarjanībhyāṃ kaniṣṭhānāmikāyugme nirodhayet
madhyame sarale kṛtvā tataḥ yonivat saralau
madhyame sarale kṛtvā tataḥ yonivat saralau
62. Block with the two index fingers the pair formed by the little and ring fingers, keeping the two middle fingers straight, and then like the yoni, keeping them straight.
अङ्गुष्ठौ खेचरी मुद्रा पाथीवस्थानयोजिनी ।
प्रियेयं सर्वदेवानां खेचरत्वप्रदायिनी ॥६३॥
प्रियेयं सर्वदेवानां खेचरत्वप्रदायिनी ॥६३॥
63. aṅguṣṭhau khecarī mudrā pāthīvasthānayojinī ,
priyeyaṁ sarvadevānāṁ khecaratvapradāyinī.
priyeyaṁ sarvadevānāṁ khecaratvapradāyinī.
63.
aṅguṣṭhau khecarī mudrā pārthivasthānayojinī
priyeyaṃ sarvadevānāṃ khecaratvapradāyinī
priyeyaṃ sarvadevānāṃ khecaratvapradāyinī
63.
aṅguṣṭhau khecarī mudrā pārthivasthānayojinī
sarvadevānāṃ priyā iyam khecaratvapradāyinī
sarvadevānāṃ priyā iyam khecaratvapradāyinī
63. The two thumbs (forming) the khecarī mudrā unite the earthly place, dear to all the gods, granting the state of khecarī.
परिवर्त्याञ्जलिं कृत्वा कनिष्ठाग्रगते ततः ।
मध्यमे स्थापयेद्देवि कनिष्ठे धारयेत्ततः ॥६४॥
मध्यमे स्थापयेद्देवि कनिष्ठे धारयेत्ततः ॥६४॥
64. parivartyāñjaliṁ kṛtvā kaniṣṭhāgragate tataḥ ,
madhyame sthāpayeddevi kaniṣṭhe dhārayettataḥ.
madhyame sthāpayeddevi kaniṣṭhe dhārayettataḥ.
64.
parivartyāñjaliṃ kṛtvā kaniṣṭhāgragate tataḥ
madhyame sthāpayeddevi kaniṣṭhe dhārayettataḥ
madhyame sthāpayeddevi kaniṣṭhe dhārayettataḥ
64.
devi tataḥ añjaliṃ parivártya kṛtvā kaniṣṭhāgragate
madhyame sthāpayet tataḥ kaniṣṭhe dhārayet
madhyame sthāpayet tataḥ kaniṣṭhe dhārayet
64. O goddess, having turned the añjali around, place the middle fingers on the tips of the little fingers, and then hold them on the little fingers.
अनामिकाभ्यां सुदृढं तर्जनीमध्यमायुगम् ।
अङ्गुष्ठाभ्यां समायोज्यमर्धचन्द्राकृतिं प्रिये ॥६५॥
अङ्गुष्ठाभ्यां समायोज्यमर्धचन्द्राकृतिं प्रिये ॥६५॥
65. anāmikābhyāṁ sudṛḍhaṁ tarjanīmadhyamāyugam ,
aṅguṣṭhābhyāṁ samāyojyamardhacandrākṛtiṁ priye.
aṅguṣṭhābhyāṁ samāyojyamardhacandrākṛtiṁ priye.
65.
anāmikābhyāṃ suḍṛḍhaṃ tarjanīmadhyamāyugam
aṅguṣṭhābhyāṃ samāyojyam ardhacandrākṛtiṃ priye
aṅguṣṭhābhyāṃ samāyojyam ardhacandrākṛtiṃ priye
65.
priye anāmikābhyāṃ suḍṛḍhaṃ tarjanīmadhyamāyugam
aṅguṣṭhābhyāṃ samāyojyam ardhacandrākṛtiṃ
aṅguṣṭhābhyāṃ samāyojyam ardhacandrākṛtiṃ
65. O beloved, joining firmly the pair of the index and middle fingers with the ring fingers, and [holding them] with the thumbs, it becomes half-moon-shaped.
बीजमुद्रेयमाख्याता सर्वानन्दकरी पिरये ।
परिवर्त्य करौ सम्यक्तर्जनीवामने समे ॥६६॥
परिवर्त्य करौ सम्यक्तर्जनीवामने समे ॥६६॥
66. bījamudreyamākhyātā sarvānandakarī piraye ,
parivartya karau samyaktarjanīvāmane same.
parivartya karau samyaktarjanīvāmane same.
66.
bījamudreyam ākhyātā sarvānandakarī priye
parivartya karau samyak tarjanīvāmane same
parivartya karau samyak tarjanīvāmane same
66.
priye iyam bījamudrā sarvānandakarī ākhyātā
karau samyak parivartya tarjanī vāmane same
karau samyak parivartya tarjanī vāmane same
66. O beloved, this is declared to be the bīja-mudrā, which bestows all bliss. Turning the hands completely, [place] the index fingers evenly upon the left ones.
मध्यमे कुरु तन्मध्ये योजयेत्तदनन्तरम् ।
अन्योन्यानामिके देवि कनिष्ठे तु यथास्थिते ॥६७॥
अन्योन्यानामिके देवि कनिष्ठे तु यथास्थिते ॥६७॥
67. madhyame kuru tanmadhye yojayettadanantaram ,
anyonyānāmike devi kaniṣṭhe tu yathāsthite.
anyonyānāmike devi kaniṣṭhe tu yathāsthite.
67.
madhyame kuru tanmadhye yojayet tadanantaram
anyonyānāmike devi kaniṣṭhe tu yathāsthite
anyonyānāmike devi kaniṣṭhe tu yathāsthite
67.
devi madhyame kuru,
tanmadhye tadanantaram anyonyānāmike yojayet,
kaniṣṭhe tu yathāsthite
tanmadhye tadanantaram anyonyānāmike yojayet,
kaniṣṭhe tu yathāsthite
67. O goddess, place the middle [fingers] in the middle thereof, and immediately afterwards join the two ring fingers together, while the two little fingers remain as they are.
अङ्गुष्ठाभ्यां योजिताभ्यां योन्याकारं तु कारयेत् ।
योनिमुद्रेयमाख्याता परा त्रैलोक्यमातृका ॥६८॥
योनिमुद्रेयमाख्याता परा त्रैलोक्यमातृका ॥६८॥
68. aṅguṣṭhābhyāṁ yojitābhyāṁ yonyākāraṁ tu kārayet ,
yonimudreyamākhyātā parā trailokyamātṛkā.
yonimudreyamākhyātā parā trailokyamātṛkā.
68.
aṅguṣṭhābhyām yojitābhyām yonyākāram tu kārayet
yonimudrā iyam ākhyātā parā trailokyamātṛkā
yonimudrā iyam ākhyātā parā trailokyamātṛkā
68.
tu aṅguṣṭhābhyām yojitābhyām yonyākāram kārayet
iyam yonimudrā ākhyātā parā trailokyamātṛkā
iyam yonimudrā ākhyātā parā trailokyamātṛkā
68. Bringing both thumbs together, one should make the shape of the yoni. This is known as the yonimudrā, the supreme mother of the three worlds.
एवं विन्यस्तदेहः सन् मुद्रासन्नद्धविग्रहः ।
अन्तर्यागविधिं कुर्याद्येन साक्षात्स्वयं विभुः ॥६९॥
अन्तर्यागविधिं कुर्याद्येन साक्षात्स्वयं विभुः ॥६९॥
69. evaṁ vinyastadehaḥ san mudrāsannaddhavigrahaḥ ,
antaryāgavidhiṁ kuryādyena sākṣātsvayaṁ vibhuḥ.
antaryāgavidhiṁ kuryādyena sākṣātsvayaṁ vibhuḥ.
69.
evam vinyastadehaḥ san mudrāsannaddhavigrahaḥ
antaryāgavidhim kuryāt yena sākṣāt svayam vibhuḥ
antaryāgavidhim kuryāt yena sākṣāt svayam vibhuḥ
69.
evam vinyastadehaḥ san mudrāsannaddhavigrahaḥ
yena vibhuḥ svayam sākṣāt antaryāgavidhim kuryāt
yena vibhuḥ svayam sākṣāt antaryāgavidhim kuryāt
69. Having thus positioned his body and equipped his form with mudrās, one should perform the internal ritual, whereby the supreme lord himself directly appears.